Good and Evil Essay

From the second you were conceived, acceptable and detestable didn't make a difference to you. As a kid, your excursion was not decided at this point. Individuals build up their own impression of what is good and bad, as they grow up, through their encounters. What an individual sees as underhanded and wrong could be unique in relation to how others see it. An individual can't legitimately comprehend being acceptable except if they can maintain a strategic distance from malicious. To really abstain from being detestable, one must figure out how to remain consistent with their standards, objectives, and connections. The excursion to great beginnings with the decisions that will shape you for a mind-blowing remainder. A picture of another conceived infant can be utilized as an image to speak to beneficial things, for example, the immaculate, virtue, and guiltlessness. Such depiction is titled under another conceived on the grounds that when an infant is conceived, its tactile engines are uplifted because of the ineptitude of sight. As from what I recalled, the powerlessness of sight can likewise represent another part of virtue in a manner where one can't see the debasements of another. Another conceived kid can likewise be spoken to as guiltlessness. When an infant is conceived, individuals keep babies inside and out of mischief and peril. An infant additionally can look like a consciousness of the immaculateness and honesty having the option to be effectively broken, as a result of the delicacy of a newborn child. In this manner, another conceived infant can for the most part represent virtue, honesty, and immaculate; in any case, it can likewise underline the delicacy of the idea of good in such a manner where if a solitary impact is shown, one can undoubtedly learn and acclimatize quickly and change. With the general public wherein we live in today, the broad communications assumes a major job upon how an individual thinks, dresses, and acts. The media business has become overpopulated by the predominance of men, along these lines disparaging ladies into a few terrible pictures. Ladies today are spoken to as sex images in music recordings. If not, spoke to as a sex image, ladies are determined to an elevated standard to become model-like figures so as to pick up acknowledgment of the general public inside the style business; this desire prompts the loss of one’s self through gorging, abstaining from excessive food intake, and smoking cigarettes. Such drastically horrible activities publicize awful pictures for the more youthful age, urging them to become lovely like one of the models on TV. With respect to corporate greed, there are numerous notices that urge the general public to permit youngsters to get corpulent. We as a general public are taking care of our youngsters with undesirable nourishments because of the high paces of neediness. Corresponding to destitution, it is one reason why there are hoodlums who take to endure. Returning to Charles Darwin’s hypothesis of â€Å"Survival of the Fittest†, we endeavor to make due in such a confused world loaded up with foul play and shrewdness to where we arrive at a breaking point when it is hard to be acceptable now and then. â€Å"It accepts the same amount of vitality to be underhanded as it does to be acceptable and hardly any individuals have vitality enough for either course†¦ Evil isn’t what one does, it’s something one is that contaminates all that one does. † This statement, expressed by Davies in Rebel Angels, displays the job of society. These ventures accept that they are doing equity to the economy and the individuals (for instance, to make individuals look or dress better, and so forth); nonetheless, in actuality the items they are publicizing are unfortunate for people in general. We, as an overall population, are exclusively pulled in to what looks engaging, and are not so much attracted to what it truly accomplishes for you. This stresses the debasement of the general public, accordingly uncovering the idea of wickedness. â€Å"The abhorrent that is on the planet consistently happens to obliviousness, and sincere goals may do as much damage as malice, on the off chance that they need understanding. † This statement implies that we are detestable in light of the fact that we are oblivious of the beneficial things on the planet since we are narrow minded. What's more, we are childish in light of the fact that we will not see such things. For instance, with regards to publicizing, the ventures promote items for notoriety and for more cash without truly thinking about the results of the general population. They are uninformed of the results people in general. â€Å"The soul of the killer is visually impaired; and there can be no evident goodness nor genuine romance without the most extreme clear sightedness. † Going back to the likeness of one not having the option to see, a visually impaired man represents virtue since he can't see the defects of another person. Camus clarifies that it is inconceivable for one to stay great, when an individual is detestable; the person in question has no portrayal of awareness or blame since the individual is just pondering themselves. The idea of malice is in this manner, spoke to as the obliviousness and self-centeredness of the individuals. It is said in Asian societies that the great adjusts fiendishness and the other way around and that one can't do alone without the other. In Chinese way of thinking, Yin-Yang depicts â€Å"shadow and light. † It speaks to the total inverses or the various powers that are interconnected and associated in the normal world, and how they work with one another thusly according to one another. Without the parity of good and fiendishness, there would not be any parity inside the earth’s center. Yin resembles the moon, and Yang resembles the sun. Without one another, one would not exist. For instance, if the sun didn't exist, there would not be such thing as â€Å"night† nor â€Å"day†. To summarize everything, the great gets ruined by the shrewdness. In any case, the natures of good and the natures of malice interlace to turn into a customary person. There is a balance among holy people and Satans, some place in the middle of the immortals, which is otherwise called us, individuals. There is Satan, on the grounds that there is God. Individuals are made of acceptable and malice. One can't simply be acceptable, and one can't simply be detestable. In some structure, they are both acceptable and shrewdness, since one can't be without the other. You need fiendish on the planet, for there to be acceptable. The manner in which one sees underhandedness may not be abhorrent for the other yet in addition, he may see great in it. Despite the fact that Davies says malicious takes as much vitality as great and individuals scarcely have vitality to do either, however detestable isn't what somebody does, yet he is malevolent himself from how he contaminates everything from what he does.

Youth Subcultures free essay sample

In human science, humanities and social examinations, a subculture is a gathering of individuals with a culture (regardless of whether particular or covered up) which separates them from the bigger culture to which they have a place. Six key manners by which subcultures can be distinguished: 1. Through their regularly negative relations to function (as inert, parasitic, at play or at recreation, and so on ); 2. Through their negative or undecided connection to class (since subcultures are not class-cognizant and dont fit in with customary class definitions); 3. Through their relationship with region (the road, the hood, the club, and so forth , as opposed to property; 4. Created their development out of the home and into non-local types of having a place (I. E. Social gatherings other than the family); 5. The harsh their expressive connections to abundance and misrepresentation (with certain special cases); 6. Through their refusal of the baa annalist Of customary life and amplification. The investigation Of subcultures frequently comprises of the investigation of imagery joined to garments, music and other noticeable gestures by individuals from subcultures, and furthermore the manners by which these equivalent images are deciphered by individuals from the prevailing society. We will compose a custom article test on Youth Subcultures or then again any comparable theme explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page As indicated by Dick Hebrides, individuals from a subculture regularly signal beneficiary enrollment through a particular and representative utilization of style, which incorporates designs, peculiarities, and terminology. Subcultures can exist at all degrees of associations, featuring the way that there are numerous societies or worth mixes generally apparent in any one association that can supplement yet in addition contend with the general authoritative culture.In a few cases, subcultures have been enacted against, and their exercises managed or shortened Sexual subcultures The sexual transformation of the 1 backtalk prompted a countercultures dismissal of the set up sexual and sex standards, articulacy in the urban zones of Europe, North and South America, Australia, and white South Africa. A progressively lenient social condition in these regions prompted an expansion of sexual subcultures-?social articulations of non-regularizing sexuality.As with different subcultures, sexual subcultures received certain styles of design and signals to recognize them from the standard. Gay people communicated through the gay culture, thought about the biggest sexual subculture of the twentieth century. With the regularly expanding acknowledgment of homosexuality in the mid 21st century, remembering its demeanors for style, music, and structure, the gay culture can never again be viewed as a subculture in numerous pieces of the world, albeit a few parts of gay culture like cowhide men, bears, and feeders are viewed as subcultures inside the gay development itself.The butch and femme characters or jobs among certain lesbians additionally induce their own subculture with cliché clothing, for example drag rulers. A late 1 9805 turn of events, the strange development can be viewed as a subculture extensively including those that dismiss normatively in sexual conduct, and who commend perceivability and activism. The more extensive development concurred with developing scholarly interests in eccentric examinations and strange theory.Aspects of sexual subcultures can fluc tuate along other social lines. For example, in the United States, the term down-low is utilized to allude to African-American men who don't distinguish themselves with the gay or strange societies, however who practice gay cruising, and embrace a particular hip-jump clothing during this movement A young subculture is an adolescent based subculture with unmistakable styles, practices, and interests. Youth subcultures offer members a personality outside of that credited by social foundations, for example, family, work, home and school. Youth subcultures that demonstrate a precise threatening vibe toward the prevailing society are in some cases depicted as countercultures. Youth subcultures are frequently recognized by components, for example, design, convictions, slang, tongues or practices. Vehicles - ? for example, vehicles, bikes, bikes or skateboards - ? have assumed focal jobs in certain young subcultures.In the Ignited Kingdom in the backtalk, states of mind were related with bikes while rockers were related with cruisers. Explicit music classes are related with numerous young subcultures, for example, punks, raves, metatheses and Goths. The investigation of subcultures Often comprises Of the investigation Of he imagery appended to dress, music, other obvious expressions of love by individuals from the subculture, and furthermore the manners by which these equivalent images are deciphered by individuals from the prevailing society. Financial class, sexual orientation, knowledge, congruity and ethnicity can be significant corresponding to youth subcultures. Youth subcultures can be characterized as significance frameworks, methods of articulation or ways of life created by bunches in subordinate auxiliary situations because of predominant frameworks - ? furthermore, which mirror their endeavor to illuminate basic inconsistencies ascending from the more extensive cultural setting.

The Best Books Book Rioters Read in April

The Best Books Book Rioters Read in April Every month, we ask Riot contributors to share their favorite reads from the last 30 days. These picks are old and new and yet-to-be-released, and span all genres, so there’s something for everyone! Take a look: American War by Omar El Akka How does this sound: this book is like if Jesamyn Ward wrote The Road. Still need convincing? American War is the story of the second American Civil War, a war that breaks out in 2074 over the use of oil. Now, the North and South are once more divided, Texas has become a part of Mexico again, and China is the the most powerful nation in the world. Sarat is a young girl in Louisiana when the war begins, but when her father is killed, she and her family are moved to a camp for displaced persons. There she sees firsthand what the war does to people, and under the influence of a recruiter, makes a deadly decision about her part in the war. This is one of the most powerful debuts I’ve ever read, and it’s visceral and scary, too, because, as the author said in an interview, “I don’t think there’s much in this book that hasn’t happened; it just happened far away.” Liberty Hardy Black Sheep Boy by Martin Pousson I was lucky enough to interview Martin Pousson a few months ago and we became fast friends, but I’d only had a chance to read a few of the stories in this book at the time, and so I finally sat down with it properly. A novel in stories about a Cajun queer boy growing up in Louisiana, this book is a gorgeous piece of literature. I loved the writing, which swoops melodically around while also being totally coherent (hard to do), and the flavor of Louisiana and Creole and Cajun traditions and their slow loss were incredibly affecting. Ilana Masad Brown Girl Dreaming by Jacqueline Woodson Last year I read Another Brooklyn and was bummed out that I couldn’t really get into it. The writing was amazing but the characters felt distant. Still, I had heard only good things about Brown Girl Dreaming, so I decided to give it a try. I’m glad I did! Whatever prevented me from connecting Another Brooklyn was clearly not present in Brown Girl Dreaming. The writing is elegantly simple, making it accessible to readers of every age. Woodson’s vignettes of her childhood growing up during the Civil Rights Movement in New York and South Carolina are powerful and heartfelt. I highly recommend the audiobook, which is narrated by the author. Kate Scott Borne by Jeff VanderMeer Trust me: you are going to be hearing about this book for the rest of the year. It’s one of the best Sci-Fi/Dystopian hybrids to come out in years. Fans of VanderMeer’s The Southern Reach trilogy are going to eat this up. The book follows a scavenger named Rachel during the recent apocalypse. She and her fellow survivor Wick are threatened by Mord: an impossibly large (flying) bear who destroys everything in his wake. One day, Rachel finds a strange creature embedded in Mord’s fur. She becomes obsessed with this being, whom she names Borne. But who made Borne, and what is its purpose? I’m taking my sweet time reading this because I’m enjoying it so much, I don’t want it to end. The suspense, the dark comedy, the twisted Sci-Fi elementsI can’t wait to see how it ends. Jan Rosenberg Confessions of a Shopaholic by Sophie Kinsella I know: I’m late to the party on this one. This was the perfect feel-good book for traveling and reading with jet lag. It gave me palpitations at times Becky’s misadventures with letters from the bank and credit card companies were distressingly reminiscent of my own 20s. I loved how her situation resolved itself, and I loved her voice and her (again, very familiar) delusions as well as how very British it all was. Claire Handscombe Eliza and Her Monsters by Francesca Zappia (Greenwillow, May 30, 2017) I absolutely adored this book about webcomics, creativity, and the quiet buzz of anxiety, and I think teens will too. Eliza Mirk is the creator of hit webcomic Monstrous Seato the tune of actual merchandise and busy forumsbut you wouldn’t know it from looking at her. She doesn’t breathe a word of it around anyone except her two friends Max and Emmy, and her family doesn’t really get Eliza’s attachment to her phone, tablet, and computer. When a new kid transfers to her high school, Eliza is shocked to find out that not only does Wallace love Monstrous Sea, but he might just be one of the comic’s biggest fans. Eliza is a prickly cinnamon roll of a protagonist, with anxieties that feel almost unbearably real, and her world is small, but no less lived in. Angel Cruz The Garden of Small Beginnings by Abbi Waxman (Berkley, May 2, 2017) Unreliable narrators aren’t always murderers or train passengers. In fact, given that no one is entirely self-aware, any well-written character should have a skewed perspective of her own life and self, even if a book is a comedy about family life and gardening. Lilian Girvan, the central character of The Garden of Small Beginnings, is an illustrator, a mother, a sister, a budding gardener, and a widow, and her perspective on how she’s doing with each role doesn’t always match up with what readers can see around her. But that trait makes her a more interesting and realistic protagonist, and along with the book’s humor and eccentric supporting cast made it a great read. Trisha Brown The Gauntlet by Karuna Riazi This was my most anticipated book of the year and it did not disappoint! In fact, I loved it even more than I expected to. Farah and her friends, brother, family members, and all the people she encounters in The Gauntlet of Blood and Sand are real people who absolutely leapt off the page, and their adventures read in glorious 3D. So magical and lovely. Annika Barranti Klein Ghost by Jason Reynolds This was just a pitch perfect middle grade / youngish YA book that was a total delight from start to finish. I’ve been trying to read some boys marketed to boys to round out my librarian knowledge and this was a great start. I have to say that as someone who has very little interest in sports, I was surprised at how much I liked this story about a 13-year-old urban black kid Castle Crenshaw, aka “Ghost,” joining a track team. More than just a sports story, it was a sensitive, realistic look at a young person dealing with trauma and trying to avoid the crushing effects of racism, poverty, and abuse. But at the same time the novel was never preachy or heavy. It also didn’t provide easy answers, or present sports as a magical solution for black teen boys. Great in audiobook! Casey Stepaniuk Ha’Penny by Jo Walton The second book in Jo Walton’s Small Change trilogy is even better than the first. An alternate history set in a world where Britain made peace with Germany during World War II, shows how people respond as fascist rule begins to take hold following the events in Farthing. Inspector Peter Carmichael of Scotland Yard finds himself chasing terrorists who, it turns out, were planning to kill Hitler, an objective he sympathizes with. At the same time, the politically apathetic actress Viola Lark is preparing for the role of a lifetime in a gender-flipped Hamlet when she is drawn into the bombing plot. Viola’s story appealed to the theatre nerd in me, and Jo Walton does a great job showing how political apathy and a tendency to compromise can lead to disaster. It’s also fascinating how the book worked on me as a reader. I’m used to rooting for the detective and against the terrorists, but this book forces you to rethink all usual loyalties. I’ve started Half a Crown, the final bo ok in the trilogy, and it’s just as good so far. Teresa Preston The Hate U Give by Angie Thomas It seem unnecessary for me to try to explain why this was the best book I read this month, but I’ll try. This was a thought-provoking, wrenching, and immersive read. The characters were well-rounded, and there were so many complex dynamics at play between them. I was sick to my stomach while reading the beginning, then enraged, and cried multiple times. If you’ve been at all on the fence about this, definitely pick up The Hate U Give. It more than lives up to the hype. Danika Ellis Hexbound, Dark Arts Series Book #2 by Bec McMasters A strong and sexy couple, fully developed world and a meaningful continuation of the story arc begun in the first book of the series: Shadowbound Bec McMasters and Hexbound delivered in all areas. Set in an alternate London the series focuses on the HEAs of each of the three sons of the Prime Magician of the Empire. Book Two is the story of Adrian Bishop, one of the aforementioned sons, and Verity Hastings, a teleporting thief and unregistered magic user. Verity steals something left in Adrian’s care, and when she’s attacked in the dark (not in a good way) she offers to help him get it back. Steamy romance and flirtatious banter ensues. Characters from the first book are central to the plot of this one so I’d recommend you read in sequence. I was desperate for some escapism in April and this was exactly what I was looking for. Tara Cheesman The Hole by Hye-Young Pyun (Arcade, August 1, 2017) Just the idea of Korean horror in translation was enough to get me on board with this book. Even better, it’s reminiscent of both Han Kang and Shirley Jackson, a sly and sharp book that only slowly lets you see what it really is. After a car accident that killed his wife, Oghi is almost completely physically incapacitated, unable to move or speak and cared for by his mother-in-law. There is a lot of physical horror here that is troubling all on its own, as Oghi is less a physical being as a set of eyes and a brain watching the world around him, powerless. But as you read, you start to realize that there is more here than what it seems on the surface. There is something sinister that is sometimes seen but sometimes completely hidden. This is the kind of book where the most important story is the one that is never written but only hinted at around the edges. I may pick it back up and read it again just to make sure I’ve caught every little bit. Jessica Woodbury Hunger by Roxane Gay (Harper, June 13, 2017) I was drawn in by Bad Feminist, an essay collection that validated so much of what I was feeling about myself. I read and loved An Untamed State next, and it was beautiful and brutal. When I read that Gay was writing something about her difficult relationship with her body, my immediate reaction was I AM SO THERE FOR THAT, because my relationship with my body is also difficult. When the pub date was pushed back, I felt as if the anticipation was unbearable. The wait was worth it. Within the first page of this egalley, I knew this was a book I would have to own when it officially pubbed. Almost like prose poetry, Gay opens herself up in a way she never has before, splaying herself open on the page as she tackles issues of the body and sexual violence and self-worth. This is a book I know I will return to again and again, like self-affirmation. Like prayer. Steph Auteri I’ll Eat When I’m Dead by Barbara Bourland A delicious read as satisfying as eating a box of my favorite sour, sweet, and juicy candy! Bourland has extracted the magic of contemporary women/”chick-lit” books and woven in a detective mystery novel creating a great read. Think The Devil Wears Prada minus the monster boss, where the women are friends, and activists, and now throw in murder and a hot detective! Sounds good, right? It is! It starts with a locked-room mystery as Hillary Whitney is found dead in a room at her job seemingly having died from starvation… but how? Well that’s what Detective Hutton wants to figure out now that a postcard mailed by Whitney has shown up. Also on the case are two of Whitney’s coworkers/friends, Cat and Bess. But the more everyone digs the more strange things happenincluding another death! Jamie Canaves In the Country We Love: My Family Divided by Diane Guerrero and Michelle Burford I used one of my precious Audible credits to listen to this book by the beautiful Orange is the New Black and Jane the Virgin actress, and my credit was well spent. In today’s current political climate, I think this tale of the way this country has failed immigrants attempting to legally become citizens is very important and should be a mandatory reading for anyone talking in all seriousness about building walls and “bad hombres.” Guerrero’s parents were ripped from her at the tender age of 14 and she was left to fend for herself. In the aftermath, the government did not so much as attempt to ensure that a vulnerable teenager had a safe place to stay and a support system. When you realize how many children must fall through the cracks in this broken system, nevermind the number of families completely destroyed by it, it is utterly heartbreaking. Guererro continues her activism in immigrant reform, but if her only contribution to the cause is this book and the exposure to the system it brought, she has succeeded. Elizabeth Allen The Inquisitors Tale, or The Three Magical Children and Their Holy Dog by Adam Gidwitz, illustrated by Hatam Aly I read this and am simultaneously listening to it on Audible with my daughter. It is a perfectly delightful experience in both formats. In print, I adored the lovely illuminations and marginalia. On audio, the various actors give new layers to an already rich and complex story. The story itself is so sweet and fun and just exactly what I wanted to read right now. I loved it so much, and my daughter is loving it as well. Im a medievalist so this really rang my bell to see a YA medieval fiction that kids might get into. Kristen McQuinn Kindred: A Graphic Adaptation by Octavia Butler, adapted by Damian Duffy with illustrations by John Jennings I came late to Octavia Butler’s work and am making up for lost time. A friend in college suggested Parable of the Sower to me. I read that, really liked it… and then didn’t read any more of her work until recently. I was nervous going into this adaptation of Kindred how on earth could the art do justice to the complexity (and violence) of the original? Reader, it did. The art is beautiful and captures the horror of slavery, Dana’s struggle, and the weird compression of time. At the same time, it doesn’t fetishize the violence that Dana both witnesses and experiences as an African American woman living under slavery. If you’ve read Kindred this is a great companion. If you haven’t read it yet, this adaptation is strong enough to stand on its own. Ashley Bowen-Murphy The Last Neanderthal by Claire Cameron I couldn’t stop thinking about this book after I put it down. Telling the parallel stories of Rosamund Gale, a present-day archaeologist uncovering the find of her career, and Girl, a Neanderthal woman coming of age centuries before her, this novel explores how humans are linkedâ€"by DNA, by history, and by shared experiencesâ€"to our Neanderthal relatives. The scenes set 40,000 years in the past sing with urgency and tension as Girl tries to survive on her own in an unforgiving landscape. While the present-day scenes aren’t quite as compelling, Cameron’s exploration of the ties that bind Girl and Rosamund is incredibly moving and has stayed with me for a long time. Kathleen Keenan Love By the Books by Té Russ I have not shut up about this book since I discovered it looking for romances by authors of color about librarians. This is not about librarians, but the meeting and dorky, bookish courtship of a literary agent and a bookshop owner is all the adjectives: adorable, precious, marvelous, wonderful. Add strong family ties and great friendshipsâ€"including one with an opera singing neighborâ€"and youve got one of the more beautiful depictions of black love in the modern romance universe. (Note: this is self-published through Amazon, and could have used a run through by a copyeditor, but even a healthy smattering of typos didnt take away from my complete adoration of this couple and their story.) Jessica Pryde The Names They Gave Us by Emery Lord (Bloomsbury Children’s, May 16, 2017) I’ve shied away from contemporary YA over the last few years, only rarely dipping my toes back in if someone recs me a specific book. The subgenre has been dominated by first person narrators of late, and that’s something I often struggle to connect with, but I’m always looking for more YA to read. Emery Lord came highly recommended by a friend, so I jumped at the chance to read The Names They Gave Us. It was astonishing. This book is a very tough, emotional read handled with a deft touch and clean, beautiful prose. The world and its ensemble of characters are vivid and diverse, the dialogue is pitch perfect for teenagers, and the feelings ring incredibly true. Kay Taylor Rea The North Water by Ian McGuire A piece of literary fiction that grips like a thriller and reads like an adventure story. It’s a cliche but I really couldn’t put this down, and I finished it over three late-night reading sessions. It follows the voyage of whaling ship in the 1850s, a time when the whaling industry is floundering. However, McGuire cleverly subverts the usual trope of man’s mastery of nature found in earlier stories of exploration. At times brutal, in its descriptions of casual violence and slaughter of wildlife, there are moments of great beauty as the sailors encounter the sea and landscapes of the North Water. The choice of period is inspired. It is is a transitional time between tradition and modernity that allows the exploration of other borders: between spirituality and reason; between the human and bestial. It’s a riveting read, retaining the narrative propulsion of the adventure genre, but dealing with much headier, and interesting, topics. Alex Laffer Piecing Me Together by Renée Watson I loved this book about Jade, a teen girl growing up in a poor neighborhood in Oregon who attends a mostly-white private school. She is invited to an “at-risk” mentorship program called Women to Women, and Jade quickly figures out that just because her mentor is black doesn’t mean they can relate to each other. Jade’s voice is compelling and real, and the book is interspersed with gorgeous poetry (see Chapter 35, Things That are Black and Beautiful). The cover is also stunning artwork done by Bryan Collier which reflects Jade’s artistry and the overall theme of being stitched together and coming undone. I loved this book, and look forward to recommending it over and over again. Karina Glaser The Snow Child by Eowyn Ivey “November was here, and it frightened her because she knew what it brought cold upon the valley like a coming death, glacial wind through the cracks between cabin logs. But most of all, darkness. Darkness so complete even the pale-lit hours would be choked.” That’s the kind of prose that gives me goosebumps. A book with the word snow in the title may seem like an odd choice for April, but Tennessee had such a mild winter I was craving some wintry weather in my life. And The Snow Child did not disappoint. Set in the 1920s Alaska and based on the Russian folktale “The Snow Child,” the novel shivers with wintry weather, magic, and lore. A childless couple, Mable and Jack, move to Alaska after a terrible heartache, hoping to make a new life for themselves. On one wintry evening they build a snow child, and the next day a real child appears in their life. Is this the daughter theyve longed for? Is she human or magical? Or a little of both? Such an amazing first novel. I can’t wait to read her newest, To the Bright Edge of the World. Margaret Kingsbury The Stranger Beside Me: Ted Bundy the Shocking Inside Story by Ann Rule This month I’ve been binge listening to the podcast My Favorite Murder. I’m obsessed. There were a couple of episodes where Karen (one of the hosts) mentioned that she was reading The Stranger Beside Me. I was intrigued. When I picked it up, I couldn’t put it down. Ann Rule was a prolific true crime writer, and this is the work that really put her on the map. Back in the ‘70s, in some weird twist of fate, the serial killer she was writing about turned out to be her friend, Ted. The Stranger Beside Me is a well written and researched insider’s take on Ted Bundy, his murders, and his trial. Not only do we get Bundy’s narrative, but we see the way it impacted Rule’s life. It took her a while to come to terms with Bundy’s guilt, and, when she did, she mourned the man she knew. If you’re interested in true crime and have not yet read this classic, I’d definitely recommend it. Beth O’Brien The Silence of the Lambs by Thomas Harris I re-watched the movie early this month and decided to take a look at the book that spawned what is possible the most perfect crime movie of all time. The book did not disappoint. If anything, it’s even better than the movie. There is very little difference beteen the two plot-wise, though there are simplifications. The book’s prose is as haunting and eerie as the movie. This is one of those books that I can’t imagine people giving less than five stars, it’s just pure quality through and through. The version of the book I have begins with an interesting look at how the character of Hannibal Lecter came to be, and provides an interesting look at where writers’ ideas come from. Amazing movie, amazing book. Johann Thorsson The Underground Railroad by Colson Whitehead I put off reading this book, because even though I was intrigued by the whole “literal underground railroad” concept, I am also not typically a historical fiction reader. When it won the National Book Award I picked it up, and slowly read it throughout the winter in bits and pieces. Many scenes were harrowing and it was difficult to read at times. I had to walk away from it often. I read it again this month in preparation for a book discussion with the author we hosted at my library. The second time around, I could focus on the writing, the structure, and the way each scene was constructed, because I already knew the heartbreaking and horrifying details of what the characters endured, and I loved the book so much more. I’m not generally one who re-reads books, and this reading experience has me re-thinking that policy. Molly Wetta Warlock Holmes:  A Study in Brimstone by GS Denning Where’re my fellow Sherlockians at? If you love yourself some Sherlock Holmes adaptations, you need to read this book, stat. Denning’s take cleverly twists the original Conan Doyle stories so that Watson is the main detective and Holmes is… well, a warlock, who finds everyday social niceties  even more befuddling than his non-magical counterpart. Fortunately, with the help of Watson he’s able to maintain his human facade (barely). The results are like Sherlock Holmes on amphetamines: crazy fast-paced, delightfully weird, and absolutely hilarious. If you’re familiar with the canon, you’ll appreciate this book and all the stories’ inside jokes even more. I can’t wait for the next book in the series to come out! Tasha Brandstatter What Girls Are Made Of by Elana K. Arnold Arnold’s author note in her book talks about the inspiration coming from the idea of girls being “sugar and spice and everything nice.” She talks about the shame she felt about the idea of never living up to that standard growing up, that things like her body and its normal functions were shameful things for her to even think about. This plays out in her powerhouse book. Nina’s boyfriend Seth is her world. She’ll do anything to make him happy. To have his attention. But when the relationship ends suddenly, Nina can’t help but reflect upon what she did. Why she wasn’t good enough. What would make her a better good girl to that boy. The story flips between flashbacks and the present, along with a series of short vignettes that all highlight the roles girls and women are put into societally. This book is unashamed to talk about bodily functions, about choices girls can and do make for themselves, and the ways that girls can sometimes sabotage one another . . . as a means of getting the attention of another boy. A short, raw, and powerful story and says a tremendous amount about the patriarchy, about feminism, and the way girls are trained to be “good.” Kelly Jensen When Beauty Tamed the Beast  by Eloisa James This is my first Eloisa James novel, and I know it won’t be my last. It’s a Regency, set in Wales after the heroine Linnet leaves London in disgrace. She decides she’ll marry Piers, a “beastly” doctor, since what other option does she have? But once she arrives in Wales, things don’t go as she expects…. In addition to the romance, I loved the minor characters and the debates about medicine. This book has so much to offer! Rebecca Hussey

How Powerful Women Reinforce The Feminine Supremacy Of Medea

How powerful woman reinforce the masculine supremacy in Medea Medea, is Greek tragedy written by Euripides in 431 BCE, based upon the unhappy love story of Jason and Medea. The plot focuses on the actions of one powerful woman, Medea, the wife of Jason; she finds life difficult after Jason betrays and leaves her for a Greek princess of Corinth. Hence, Medea takes vengeance on Jason by acting like a â€Å"barbarian† and killing Jason’s new wife as well as her own children with him, after which she finds a new place in Athens to start a new life. By highlighting Medea, a strong woman in a patriarchal society, Euripides challenges his audience to look beyond the stereotypes of a traditional woman, ironically, he shows how a powerful woman can actually reinforce the patriarchal ideology. In Act one, Nurse introduces Medea and claims the unequal treatment of women in Greek society. Addressing that Jason â€Å"calls the old bond a barbarian mating, not a Greek marriage† (Euripides 9), later the chorus speaks on the wretched women in Corinth who suffer from the unfaithful actions of men. In Medea’s soliloquy, she rages on the fact that she was submissive and obedient to Jason under the dowry system. The audiences can infer that women in Corinth had little power in a marriage that controlled their lives. The unique dowry system prohibits women’s freedom in the choice, establishes many sexual and marital inequalities. All these restrictions put the â€Å"good and submissive† wife under their

Wells Fargo A National Survey Of Financial Attitude And...

Wells Fargo conducted a national survey of financial attitude and behaviors in 2013 and found that over one third of Chinese-Americans (37%) reported a $100,000 annual earning, compared to only 23% of all adults in the U.S. (Wells Fargo, 2013). Oh and Min (2011) employed the 5 percent 2000 Public Use Microdata Sample from the U.S. Census to compare the earning patterns among Chinese, Filipino, and Korean Americans in New York. The sample consisted of male workers between 25 and 64 years old. The reason was that the earning patterns and behaviors were different between the male and female workers. Three generations were studied in this research: the first generation, the 1.5 generation and the second generation. First generation referred to†¦show more content†¦Sharpe (2008) further conducted an analysis on the income status among older Asian Americans (65 or older), using the 2000 5 percent Public Use Micro data Sample of the 2000 Census. Six Asian racial groups were include d in this study: Asian Indian, Chinese, Filipino, Japanese, Korean, and Vietnamese. Similar to whites, a large majority of the Japanese Americans were found to have received Social Security income and prepared for retirement. Koreans lived at or below poverty as blacks, while whites, Filipinos, and Japanese had the fewest people in poverty. Asian Indians were found to have the highest income level, in respect of wage and salary and self-employment income. In contrast, the Vietnamese reported the lowest wage and salary income. Results showed that education, household size, English proficiency, longer immigration histories and American citizenship positively affected the income level across all racial groups. Using the 1980 Public Use Micro data Sample from the U.S. Census, Zhou and Kamo (1994) compared factors affecting the earnings for Chinese, Japanese, and Non-Hispanic white males in the United States in terms of assimilation, human capital and structural characteristics. Assimilation was measured by English levels and length of stay in the United States since immigration. Human capital was measured by education and age. Structural characteristics mainly referred to the industry, occupation, hours per week and whether living in large metropolitan

Marxian Economics Free Essays

string(565) " profits are based on exploitation of wage workers through the extraction of surplus labor; revolutionary changes in the forces of production \(technology and the division of labor\) and therefore dramatic, continuing increases in productivity; capital accumulation fed by a growing mass of surplus value controlled by capitalists; increasing subordination and dependence of workers on capital; continual deterioration of workers’ working and living conditions; and increasing competition for available jobs from a growing reserve army of unemployed workers\." Our work aims to research a modern development of Marxian economics, primarily at the theoretical level and make clear how do Marxs’ â€Å"laws of motion† of capitalism relate to Schumpeter’s views of imperialism. † Marx was a German journalist, exiled in London, who combined significantly different intellectual traditions in order to explain economic systems, including German philosophy, French political theory, and English political economy. Joseph Schumpeter was an Austrian scholar who was very critical of, yet much taken with, his predecessor, We will write a custom essay sample on Marxian Economics or any similar topic only for you Order Now com/compare-and-contrast-karl-marxs-and-walt-rostows-theories/"Karl Marx, whose focus on historical analysis he admired and emulated. They both believed that capitalism is a stage of economic development in which the potential of humankind cannot fully develop. Both came to the study of economics questioning the fundamental assumptions of existing economic theory, and thus each took more of economic theory to be problematic than did most economic theorists. Both conceptualized the capitalist system as a whole, yet with the realization that the economic realm hardly constitutes the totality of human experience and thought. The real issue, which may indeed appear to have its scandalous aspect, arises when great economists direct their attention to what I shall call the cosmological problem of economics—namely, the social configurations of production and distribution (if you will, the macro and micro patterns) that ultimately emerge from the self-directed activities of individuals. What is remarkable about Marx and Schumpeter is that they are among the very few who have proposed solutions to this problem of an imagination and scope comparable to that of Smith, but that their resolutions differ from one another almost totally. In Marx’s schema the system is destined to pass through successive crises that both alter its socioeconomic texture and gradually set the stage for a final collapse. Marx described his view of capitalism in â€Å"The Communist Manifesto† (1848), a social vision that, as Schumpeter points out, underlies Marx’s life-long research program. In the introduction to his â€Å"Contribution to the Critique of Political Economy† (1850), Marx gave the clearest and most succinct description of his method of historical analysis, referred to by others as historical materialism. According to Marx, historical development is a progression of epochs, each distinguished by a particular mode of production, a â€Å"way of life,† based on the level of technology and division of labor (the forces of production) and a corresponding set of class (social) relations of production. For any epoch, any mode of production, according to Marx, the development of the forces and relations of production forms the foundation of social life. With the production of surplus over subsistence, classes emerge and develop, divided conceptually by Marx into producing and non-producing (exploiting) classes. Social change is propelled by class conflict, that is, the struggle related to the contradictions between the developing technical forces of production and the existing class relations which act to impede this development. Socioeconomic development involves the transformation of class relations, which in turn enables the new dominant ruling class to exert control over resources and productive labor. Marx claims that the transition from one mode of production to the next is fundamentally revolutionary because the new mode of production is a qualitatively different social formation organized around new laws of development. Furthermore, the transition is one of violent, wrenching changes in social status, power, and legal rights. â€Å"The history of all society that has existed hitherto,† Marx firmly asserted, â€Å"is the history of class struggles† (1904 : 45). For instance, Marx describes the transition from the feudal to the capitalist mode of production as a long period of conflict and bloodshed in which old class relations give way to new ones, a period in which primitive accumulation creates capitalists and expropriation creates a mass of wage-workers. Class-divided society proscribes the satisfaction of â€Å"truly human† needs because production is based on exploitation of the producing classes by the non-producing classes. Emancipation of humankind requires an end to this exploitation which, according to Marx, becomes possible with the development of the capitalist mode of production, which polarizes society into a small capitalist ruling class and a working class of exploited wage-workers who make up the vast majority of the population. Marx defines capitalism as a system of commodity production—production for exchange and profit—based on a system of wage-labor. Capitalists own the means of production and hire workers who must sell their labor power because they have no control over the means of subsistence or means of production. Capitalist development is dominated by capitalist control over production to accumulate capital. Capitalists are interested in production for profit rather than for use. This motivation means that the system as a whole operates to expand exchange value, market value, the money capitalists receive for the commodity production they control. According to Marx, this motivation to accumulate capital, that is, exchange value, creates contradictions in a system of unregulated market exchange because commodities are a unity of opposites. They are both useful objects to be consumed in the process of reproducing the material needs of the society and exchange values representing part of the socially produced value created through the social division of labor. This â€Å"value,† that is, embodied labor, â€Å"objectified abstract homogenous labor,† regulates the exchange value or price of each commodity. Commodity prices reflect the magnitude of value, of â€Å"socially necessary† labor used to produce the commodity. Each commodity is a â€Å"social product† in that its production is dependent on a complex social division of labor that determines its labor cost, the amount of socially necessary labor time that goes into producing it. Marx sees contradictions in capitalism because, for the system as a whole to create a steady accumulation of capital over time, it must also create just the right combinations of different use values, specific useful products, to generate the growth in capital year to year. Marx recognizes capitalism as the most productive mode of production in history, because capitalists control the surplus product over and above the needs of simple reproduction of the existing level of output, and they use the surplus mainly to expand production and to increase productivity. Marx characterizes capitalism thus: the ascendance of industrial capitalists whose profits are based on exploitation of wage workers through the extraction of surplus labor; revolutionary changes in the forces of production (technology and the division of labor) and therefore dramatic, continuing increases in productivity; capital accumulation fed by a growing mass of surplus value controlled by capitalists; increasing subordination and dependence of workers on capital; continual deterioration of workers’ working and living conditions; and increasing competition for available jobs from a growing reserve army of unemployed workers. You read "Marxian Economics" in category "Papers" Other characteristics of a capitalist system for Marx include a tendency toward a declining average rate of profit; expansion of nonproductive but necessary commercial and financial capital; new forms of monopoly; extension of the capitalist mode of production to create a world market and worldwide capitalist system; uneven development of capitalism geographically so that at any time the existence of newly developing capitalist sectors provide fresh opportunities for capitalist exploitation; periodic trade cycles; and less frequent convulsive general crises of the system. In selling their labor power, wage-workers give up any right to the output they produce so that in capitalist production, objectification, the production of material objects, becomes alienation. Furthermore, in alienating their labor, the workers produce commodities that become capital, that is, the capitalists’ source of power over the workers. Thus in capitalism, alienation brings about reification. Also, workers give up control over the labor process and therefore over their own productive activity, so much so that labor becomes a burden, and workers work to live instead of live to work. The accumulation of capital, representing the realization of man’s essential powers, becomes for the wage-workers a loss of their reality, which for Marx connotates sociality. Marx shows that alienated labor means alienated man, devaluation of life, loss of human reality. Only the working class can bring about this fundamental change because only workers gain this insight through their historical-social situation. According to Peter Drucker (1983: 125), Schumpeter considered himself the â€Å"son† of Marx. Schumpeter devoted himself to promoting scientific progress in economics, through theoretical, historical, and statistical contributions, on the one hand, and teaching and critical analysis of economic doctrine on the other. In his History of Economic Analysis (1954) Schumpeter‘s epistemology may be summarized as follows: 1. He had great faith in science, which he defined as â€Å"technique† and â€Å"tooled knowledge. † 2. Schumpeter was a great advocate of mathematical and econometric methods in economics. 3. In his History of Economic Analysis, Schumpeter had already outlined the major points of the Popper/Kuhn/Lakatos debate: the tension between conservatism and change that is inherent in scientific revolutions; the usefulness of both tendencies. 4. Schumpeter was a positivist, but he accepted both verification and falsification as tests of a theory. 5. Schumpeter was anti-instrumentalist. He did not see the purpose of science as simple prediction but believed that the truth of assumptions does matter. 6. Schumpeter appears to have held contradictory views of the impact of ideology on economic analysis. He considered the intrusion of politics and ideology in economics as the major cause of â€Å"misconduct† in science. These apparently contradictory views represent, in my opinion, a defense of economics against Marx’s evaluation of it as â€Å"bourgeois ideology. † Schumpeter agrees with Marx and credits him with the discovery that ideas tend to be historically conditioned, reflecting the class interest of the writer. Schumpeter claims, however, that ideological bias is not solely caused by the economic element in class position, and that social position is not shaped entirely by class interest (1954:10). Thus, despite the fact that ideology affects the focus and the content of economic writings, analysis is not bourgeois ideology. Thus, Schumpeter believed that even Marx and Marxists contribute to progress in economic analysis. It was important to Schumpeter to acknowledge his debt to Marx, and apparently crucial to him that he refute the revolutionary basis and purpose of Marx’s work. Schumpeter adopts what he takes to be Marx’s research program and, like him, attempts to uncover the laws of motion of capitalist development. His purpose is clearly to defuse Marx’s theory of revolution by converting it to a theory of evolution. Schumpeter accepts the structure and some of the content of Marx’s economic sociology (the theory of origins and transitions) and economics (the theory of markets and mechanisms). Schumpeter’s social vision as depicted in the Theory of Economic Development rejects—in fact inverts—important relationships of Marx’s social and economic vision. In â€Å"The Communist Manifesto in Sociology and Economics† (1949b), Schumpeter paid homage to Marx’s contribution to economic sociology, which he considered to be the prescientific theorizing necessary to the research program they both pursued. In this article, he also suggests the theoretical basis for his revision of Marx. Schumpeter analyzes the scientific content of the Manifesto, which contains Marx’s social vision, and he then identifies three of Marx’s important contributions (however â€Å"warped by ideological bias†) to economic sociology. Schumpeter points out that Marx identified the necessary theoretical ingredients of the economic sociology in which to embed an economic theory of capitalist development: (1) a theory of history (which for Marx, according to Schumpeter, was an economic interpretation of history); (2) a theory of class (in which, for Marx, social classes and class relations become the pivot of the historical process); and (3) a theory of the state (which Schumpeter says shows Marx’s understanding of the state even though Schumpeter believes that Marx recognized these tendencies only in the bourgeois state) (p. 09). Schumpeter criticizes Marx for his attachment to his social vision, his inability to revise his social vision in the light of contradictory scientific evidence. Clearly, it was Schumpeter’s intent to counteract Marx and serve science by converting Marx’s program into positivist science. This required building economic analysis on a social vision that is scientifically acceptable. In accepting a Marxian research program (analysis of the historical development, the internal dynamics, of capitalism), Schumpeter also had to use the structure of Marx’s economic sociology. He needed a theory of history, of social class, and of the state to describe the development of the economically relevant institutions. But Schumpeter rejected much of the content of Marx’s theory, including what he considered to be Marx’s economic determininism, that is, the analysis of change in social structures in terms of economic change alone; Marx’s theory of class relations, that class conflict is the motive force behind economic and social change; and Marx’s critique of the state, which was directed only at the bourgeois state. Also Schumpeter rejected Marx’s class conflict and revolutionary theory. He could hardly envision the working class becoming a revolutionary class, that is, becoming the subjects of history, the major actors and motive force for change. Instead, he substituted his own theory of class and class relations based on his ideas about leadership and followership in which entrepreneurs carry out the â€Å"new combinations† that promote capitalist development. Schumpeter accepted Marx’s materialist, dialectical view of history, the view that people create their own history through choice, concerted action, and struggle. He also recognized that history must be dialectical if it is evolutionary. Human subjects react to and change history. Change occurs through opposition and adaptation and learning. He objected to Marx’s purely economic definition of class based on individuals’ relations to the means of production, a definition he believed to be at the basis of Marx’s economic determinism. Schumpeter paraphrased Marx’s theory thus: â€Å"the social process of production determines the class relations of the participants and is the ‘real foundation’ of the legal, political, or simply factual class positions attached to each. Thus the logic of any given structure of production is ipso facto the logic of the social superstructure† (1949b: 206). Schumpeter also rejects Marx’s view that class relations are exclusively antagonistic, and that antagonisms among groups are exclusively based on distinctions of economic classes. He believes that there are multiple classes in capitalist society, just as there were in earlier epochs. There is a strong family resemblance here to Schumpeter’s vision of capitalism as an evolutionary process of creative destruction. The innovative function certainly plays a vital role in Marx’s laws of motion. This bring Marx into the picture in a way that attempts to minimize the distance between him and Schumpeter and which is consistent with Schumpeter’s well-known admiration for Marx. They are both concerned with the dynamics of development, and although they come from the opposite ends of the political spectrum, their similarities are profound and stand as an affront to the modern theory of static equilibrium in the Walrasian tradition. In the vision of capitalism as a dynamic process, Marx and Schumpeter share common ground, not just in their appreciation of capitalism, but also in their attempt to construct a truly dynamic economics. Marx and Schumpeter set the economic process into historical time. This is more than just adding a â€Å"t† subscript on all the variables of a model, and it is clearly different from producing a growth model, although a growth model may be a useful aspect of a dynamic analysis. It means that the analysis does not violate the fundamental reality of time that the future follows the present and is unknowable, while the present has a past that is knowable and has caused the present to be what it is. In such a world disequilibrium and/or equilibrium-destroying events would be the central concern of the theorist. Thus, for both Marx and Schumpeter, capitalism has a past and is tending toward a future that is imminent in the configuration of forces at work in the present (Schumpeter, 1962: 43). To illustrate, it was capitalism’s similarity with feudal and slave relations of production that led Marx to search for an explanation of how exploitation occurs under capitalism. Moreover, it was the vision of historical transformation that supplied the basis of his critique of classical political economy based on the latter’s tendency to assume that capitalist production relations were fixed and external. It is important to note that Schumpeter misses, misunderstands, or rejects Marx’s value theory and the basis for Marx’s theory of revolution Private property and capital represent a class relation in which wage workers, by selling their labor power, create the capitalist’s private property. Furthermore, not only do they create a product that becomes a power over them, but also, by submitting to a work process organized by the capitalist for his own profit, they alienate their life activity, their work. They work to live rather than live to work. They become more and more dependent on the cash nexus of market transactions for their survival and for their satisfactions. They become alienated from their species life, the essence of the life of the human species which is human social development through creative work. Marx’s basic argument, which is also an argument about logic, is that for truly human life to be possible, it is necessary (but not necessarily inevitable) for the wage-workers, for the exploited, to revolt. Schumpeter’s class theory and theory of value together eliminate the possibility of revolt. It may be true that there is a high correlation between belief in the efficacy of the free market as an allocator of resources and protector of individual freedom and the method of static equilibrium theory to explain the operation of the market. However, as Schumpeter himself stressed many times, the deductions of economic analysis do not logically imply any particular ideological position. Static equilibrium theory no more proves the desirability of the free market than the labor theory proves the desirability of socialism. The fact that Marx and Schumpeter ascribed to radically different ideologies but each believed in the central importance of the evolutionary approach is itself sufficient proof that holding to a conservative, liberal, or radical ideology does not force one into the static equilibrium mold. In his works Marx wrote about substratum of abstract labor which was an â€Å"essence† of concrete labors. Schumpeter in his â€Å"Imperialism and Social Classes† thought about social process regulated by a hierarchy of talents, organized in social classes (Schumpeter, 1955: 137, 160). In this process bourgeois class must provide the leadership role. How to cite Marxian Economics, Papers

Tragic Heroes Essay Summary Example For Students

Tragic Heroes Essay Summary Romeo is a tragic hero because he fought and did everything he did to be withJuliet but it still didnt work out and he ended up killing himself to be withJuliet, then finding she wasnt dead just as he had drunken the poison. ThenJuliet saw her dead Romeo and killed herself with a dagger. The movie End ofDays has something like this. The main character fights Satan because he cameto earth to take it over. At the end of the movie the demon possesses him and hemust throw himself onto a statue holding a sword killing himself but saving theworld, This is another example of a Tragic Hero. The movie Gladiators mainhero, Maximus Aries is also a tragic hero. Its about a Roman army generalwhos empire turned on him and imprisoned him after Caesar made him the heirto Rome. Caesar didnt choose his own son because he was corrupt, when he toldhis son this his son suffocated Caesar before he annoced to Rome who the heir ofCaesars empire was, and of course everyone would think it was his son, but itwas actually Maximus. Caesars son told some troops to take Maximus and killhim in the forest but he escaped. They then had his wife and child crucified. We will write a custom essay on Tragic Heroes Summary specifically for you for only $16.38 $13.9/page Order now Hethen gets sold as a slave, to an entertainer who makes Gladiators. Maximus thenrises up and becomes undefeated and in the end and takes on Caesars son in agladiator match. Caesars son wounded Maximus before the match but Maximusstill managed to come through and kill him. He told everyone Caesars last dyingwishes and his own to take Rome and make it republic once again then Maximusfell to the ground and died. These 2 examples are like Romeo because they diedor did something heroic and the outcome for them was bad and tragic. Tragicheroes usually die or have something bad happen to them at the end of the story,but they die for a good cause making it tragic that they died but they may havesaved the world, or be reunited with there loved ones.Cinema and Television